Carolyn Schnurer’s Flight to India

Metropolitan Museum of Art

Metropolitan Museum of Art. Click all images to enlarge

If you like to travel, envy the life of mid century American designer Carolyn Schnurer (1908-1998). During World War Two, she convinced the British Overseas Air Company, the department store Peck and Peck, and a number of American textile manufacturers to sponsor trips to exotic locations around the world. When she returned from each adventure, she created a clothing collection inspired by what she had seen.

In late 1950, she unveiled her new collection “Flight to India” at the Brooklyn Museum. You might think with all the research tools that we have at our finger tips these days, it would be easy to figure out all the pieces.  Not so.  The Metropolitan Museum of Art has a number of designs, which originally came from the Brooklyn Museum, along with samples of the textiles she created. Vogue documented some of the collection.  I also searched through any number of local newspapers, which added pieces I didn’t find elsewhere.  But nowhere did I come across a complete list.

Metropolitan Museum of Art

Metropolitan Museum of Art

Schnurer was well known for using foreign textiles as an inspiration for American manufacturing.  In this regard, she was following a well known path forged by others working with the Brooklyn Museum. She was unusual in that she collaborated with a number of different American firms, including Dan Rivers, Fuller, ABC Fabrics, Galey and Lord, and Celenase.  Her textile designs were covered enthusiastically by the new journal American Fabrics.

Metropolitan Museum of Art

Metropolitan Museum of Art

The designer also won praise for her ability to translate elements of foreign design into shapes that American women wanted to wear. As one unnamed New York Times writer commented, “The fashions that result from the Schnurer expeditions are never of the costumey variety; foreign influence is there but expressed subtly.  It is seen in the fabric designs, for Carolyn Schnurer works closely with manufacturers of materials.  She brings them new colors, weaves, textures from remote lands to be quickly translated into types adaptable to the clothes American women love.” (NYT June 1 1953.)

Pottstown Mercury, January 18, 1951

Pottstown Mercury, January 18, 1951

I used a trial subscription to to discover how the collection was presented to Middle America.  With all the colorful fabric Schnurer designed, I was disappointed to see that it was a simple white outfit that captured the most attention. “Dote on the dhoti,” reads the ad copy. “Our daring, baring, two piece swim suit.”

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2 Responses to Carolyn Schnurer’s Flight to India

  1. I had a green 1950s dress with sari-like influences that I sold a couple years ago and which had no tags. It does remind me of this Schnurer collection; I wonder if it could have been part of it (or at least, inspired by it).

    That purple-orange dress is stunning!

  2. Katrina says:

    Gorgeous textiles! She did have a good eye for color!

    The white beach outfit with “jeweled pattern of those worn in India” reminds me in a way of the last century’s so-called Chinese, Japanese, and even Italian foods supposedly made to American tastes. Very bland, with only slight resemblance to their origins.

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